{"id":3882,"date":"2020-08-24T20:06:47","date_gmt":"2020-08-25T00:06:47","guid":{"rendered":"https:\/\/hedgehogsandfoxes.org\/?p=3882"},"modified":"2020-09-23T21:21:56","modified_gmt":"2020-09-24T01:21:56","slug":"call-for-papers-brazilian-journal-of-international-law-special-issue-art-law-and-cultural-heritage-law-franca_marcilio","status":"publish","type":"post","link":"https:\/\/hedgehogsandfoxes.org\/index.php\/2020\/08\/24\/call-for-papers-brazilian-journal-of-international-law-special-issue-art-law-and-cultural-heritage-law-franca_marcilio\/","title":{"rendered":"Call For Papers: Brazilian Journal of International Law&#8211;Special Issue: Art Law and Cultural Heritage Law @franca_marcilio"},"content":{"rendered":"<p style=\"text-align: center;\">CALL FOR PAPERS<\/p>\n<p style=\"text-align: center;\">BRAZILIAN JOURNAL OF INTERNATIONAL LAW<\/p>\n<p style=\"text-align: center;\">SPECIAL ISSUE &#8211; Art Law and Cultural Heritage Law<\/p>\n<p>The Brazilian Journal of International Law, review indexed on Scopus and Qualis A1, invites submissions for a special issue on Art Law and Cultural Heritage Law to be published in December 2020. The issue will be edited by Professors Marc\u00edlio Toscano Franca Filho (Universidade Federal da Para\u00edba &#8211; UFPB, Jo\u00e3o Pessoa, Brazil) and Ardyllis Alves Soares (Centro Universit\u00e1rio de Bras\u00edlia, Bras\u00edlia, Brazil).<\/p>\n<p>Submissions on all international aspects of Art Law and Cultural Heritage Law are welcomed.<br \/>\nConscious of the undoubted significance of culture for peaceful international relations, for economic and social development, for the well-being of humanity and for the progress of civilization; and convinced of the worldwide relevance of culture as a source of remembrance, understanding, identity, dialogue and cohesion; the guest editors look forward to receiving innovative contributions that analyze the internationalization of Art Law and Cultural Heritage Law.<\/p>\n<p>Suggested topics:<br \/>\n&#8211; 25th Anniversary of the 1995 UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects;<br \/>\n&#8211; 50th Anniversary of the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property;<br \/>\n&#8211; Due Diligence in Art Law and Cultural Heritage Law;<br \/>\n&#8211; Concept of Artist and Artwork under International Law;<br \/>\n&#8211; Archaeological and Underwater Cultural Heritages;<br \/>\n&#8211; International Museum Law and Codes of Conduct;<br \/>\n&#8211; Cooperation, Restitution and Repatriation of Cultural Property;<br \/>\n&#8211; Climate Change, Sea Level Rise and Cultural Heritage<br \/>\n&#8211; International Arbitration and Artworks;<br \/>\n&#8211; The Role of Trusts and Freeports in Cultural Heritage Law;<br \/>\n&#8211; Protection of the Cultural Heritage of Indigenous Peoples;<br \/>\n&#8211; Digital Art, its Definition And Preservation;<br \/>\n&#8211; Restitution of Holocaust-era Assets;<br \/>\n&#8211; Looted Art and Cultural Heritage in times of War;<br \/>\n&#8211; Succession of States and Cultural Heritage;<br \/>\n&#8211; Organised Crime, Terrorism and Cultural Heritage;<br \/>\n&#8211; Anti-Money Laundering (AML) Measures in the Art Market;<br \/>\n&#8211; International Circulation of Cultural Property;<br \/>\n&#8211; International Tax &amp; Customs Law;<br \/>\n&#8211; Auction Houses under International Law;<br \/>\n&#8211; Monuments and Memorials as Reparations of Human Rights Violation<br \/>\n&#8211; Monument-Toppling<\/p>\n<p>THE JOURNAL<\/p>\n<p>The Brazilian Journal of International Law is a double-blind peer-reviewed journal which publishes three issues per year.<\/p>\n<p>SUBMISSION PROCESS<\/p>\n<p>Manuscripts may be submitted in English, French, Portuguese, Italian or Spanish. Submitting articles in English is strongly recommended. Manuscript revisions will be in the language of submission. Non-native speakers are strongly encouraged to have their paper read by a native speaker. The Journal will reject articles if the level of chosen language is insufficient.<br \/>\nThe Journal has a double-blind peer-review policy. The response from the reviewers will normally be provided within 30 days from the submission. Authors are expected to correct and return proofs of accepted articles within 15 days.<br \/>\nAuthors should preferably hold a PhD and\/or have a strong professional\/academic background in Art Law and Cultural Heritage Law at the time of submission. The editors reserve the right to scrutinize and provide feedback on manuscripts before review with regard to their suitability for the journal, including concerning analytical consistency, non-compliance with the applicable submission guidelines, and linguistic and stylistic matters.<br \/>\nThe deadline for submission is August 15th. 2020.<\/p>\n<p>COPYRIGHT<\/p>\n<table id=\"announcementDescription\" width=\"100%\">\n<tbody>\n<tr>\n<td>All content published by the Journal, except where identified, is licensed under a Creative Commons attribution-type BY-NC. This will ensure the widest dissemination and protection against copyright infringement of articles. The \u201carticle\u201d is defined as comprising the final, definitive, and citable Version of Scholarly Record, and includes: (a) the accepted manuscript in its final and revised form, including the text, abstract, and all accompanying tables, illustrations, data; and (b) any supplemental material.<br \/>\nAs an author, you are required to secure permission to reproduce any proprietary text, illustration, table, or other material, including data, audio, video, film stills, and screenshots, and any supplemental material you propose to submit. This applies to direct reproduction as well as \u201cderivative reproduction\u201d (where you have created a new figure or table that derives substantially from a copyrighted source). The reproduction of short extracts of text, excluding poetry and song lyrics, for the purposes of criticism may be possible without formal permission on the basis that the quotation is reproduced accurately and full attribution is given.MANUSCRIPT STRUCTUREGuidelines for preparing and submitting your manuscript to this journal are provided below.<br \/>\nThe Journal considers all manuscripts on the strict condition that they have not been submitted elsewhere, that they have not been published already, nor are they under consideration for publication or in press elsewhere. Contributions must report original research and will be subjected to review by referees at the discretion of the Editorial Committee.GENERAL GUIDELINESManuscripts should be written in Times New Roman, size 12, space between lines 1.5 throughout the manuscript (including all quotations, endnotes and references).<br \/>\nPages should be numbered consecutively.<br \/>\nNotes should be listed consecutively at the end of the article (endnotes), and clearly marked in the text at the point of punctuation by superior numbers. Endnotes should be used for clarification purposes only.<br \/>\nManuscripts must be submitted in Word format (.doc). PDF files will not be accepted.<br \/>\nAll the authors of a paper must attach their short curriculum vitae (CV), which must consist of a single one paragraph-text of 100-120 words in length, each. This is to be done online during the submission process.<br \/>\nThe affiliations of all named co-authors should be the affiliation where the research was conducted. If any of the named co-authors moves affiliation during the peer review process, the new affiliation can be given as a footnote. Please note that no changes to affiliation can be made after the article is accepted.<br \/>\nAll manuscripts submitted should be free from jargon and be written as clearly and concisely as possible. Non-discriminatory language is mandatory. Sexist or racist terms must not be used.<br \/>\nAll submissions should be made online via <a href=\"http:\/\/www.publicacoesacademicas.uniceub.br\/index.php\/rdi\/user\/register\">http:\/\/www.publicacoesacademicas.uniceub.br\/index.php\/rdi\/user\/register<\/a>FORMAT<\/p>\n<p>Articles should be based on original research and develop an original argument falling within the scope of the journal. The articles are subjected to a blind-peer review and must include:<br \/>\nTitle<br \/>\nAbstract of up to 200 words<br \/>\n5-7 keywords<br \/>\nMain text<br \/>\nReferences (at the end of the article)<br \/>\nFootnotes<br \/>\nAcknowledgements (if appropriate)<br \/>\nTable(s) and Figure(s) with caption(s) (on individual files) (if appropriate)<\/p>\n<p>FURTHER INFORMATION<\/p>\n<p>For questions regarding the content of this special issue, please contact:<br \/>\nProfessor NitishMonebhurrun \u2014 Editor of the Brazilian Journal of International law<br \/>\n(<a href=\"mailto:nitish.monebhurrun@gmail.com\">nitish.monebhurrun@gmail.com<\/a>)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<div id=\"pageFooter\">ISSN 2236-997X (impresso) &#8211; ISSN 2237-1036 (on-line)<\/div>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=HedgehogsFoxes\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>CALL FOR PAPERS BRAZILIAN JOURNAL OF INTERNATIONAL LAW SPECIAL ISSUE &#8211; Art Law and Cultural Heritage Law The Brazilian Journal of International Law, review indexed on Scopus and Qualis A1, invites submissions for a&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[80,202],"tags":[132],"class_list":["post-3882","post","type-post","status-publish","format-standard","hentry","category-call-for-papers","category-law-and-art","tag-news"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pasVL2-10C","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/posts\/3882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/comments?post=3882"}],"version-history":[{"count":8,"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/posts\/3882\/revisions"}],"predecessor-version":[{"id":4006,"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/posts\/3882\/revisions\/4006"}],"wp:attachment":[{"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/media?parent=3882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/categories?post=3882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hedgehogsandfoxes.org\/index.php\/wp-json\/wp\/v2\/tags?post=3882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}